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+ CRITICAL TASK OF THE PRESS IN THE FESTIVAL DE CANNES 2009

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CRITICAL OF THE PRESS IN THE FESTIVAL DE CANNES 2009

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"RIBBON WHITE", Palme d'Or and FIPRESCI PRIZE CANNES 2009.

"RIBBON WHITE ," Golden Palm and FIPRESCI Prize

WHITE RIBBON Austrian director Michael HA NEKE (Caché, The Piano Teacher, Funny Games) last night became the latest Palme d'Or at the Cannes Festival will be distributed by GOLEM again after the acclaimed "4 Months, 3 Weeks and 2 Days" (Palme 2007) and "The Class" (Palme 2008).

Michael Haneke, who was nominated several times with his previous work for the Palme d'Or, has finally won the coveted prize in one of the most competitive with previous editions the same prize winners, Ken Loach, Lars Von Trier , Jane Campion, Alain Resnais, Quentin Tarantino.

addition
highest award, WHITE RIBBON has won the FIPRESCI prize awarded by international film critics as the best film of the official selection.

Michael Haneke ( Golden Palm): "La Palma de Oro is the best reward that can be obtained in world cinema. Obviously I'm very happy. There were rumors about my victory, but also had to Caché (Escondido), so I do not take seriously. It is logical that there is some tension when you are asked to return for the ceremony, but be clear in a competition may not always win. As for my film, I think it done. As a filmmaker, I only hope that other defects do not see them. "

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VIDEO AND INTERVIEW WITH CAST: Michael Haneke

"An absolute ideal becomes regarded as inhuman"
Widely applauded his arrival at the conference press after presenting his splendid film Le ruban blanc as part of the Official Selection at Cannes, the Austrian filmmaker Michael Haneke reporters revealed some elements of its methodology, maintaining, as his movie, part mystery about possible interpretations of his work.

What are the reasons for the film in a German village on the eve of World War I?
is a project on which I have been working for over ten years. My main goal was to present a group of children who are inculcated considered as absolute values \u200b\u200band the way in which internalized these ideas. If considered as absolute a principle or ideal, whether political or religious, it becomes inhuman and leads to terrorism. Was planned as another title, "The right hand of God," as children of the film apply exactly these ideals and punishing those who do not share completely. Moreover, the film is not just about fascism, which would be an overly easy since the story is set in Germany, but on a model and the universal problem of perverted ideal

Why Why shoot in black and white?
All images we know from the late nineteenth and early twentieth century are in black and white, because the existing media (photographs, newspapers). However, for the eighteenth century we have a perception of colors, pictures and movies. I love black and white and took the opportunity. It allowed me also use a narrator to a distancing effect. What counts is to find adequate representation of the subject.

violence and guilt are back in the center of this películaTrato these issues in all my films.
In our society, the issue of violence is inevitable. As for guilt, grew up in a Judeo-Christian world where this issue is present permanently. One need not be bad to become guilty. This is part of our daily lives.

Le ruban blanc has many characters. How elected and went to all these actors?
For the cast, looking for faces that look like the photographs of the era. In six months, we saw more than 7,000 children. And the task was made more difficult because it is not primarily physical, but the talent. For adults, I chose actors who had worked with me and others whose work I knew. As for directing actors, I just tell them if something does not seem accurate. If you have chosen well for the actor, the character works in the situation.

The plot raises more questions than answers.
Nothing explain. My principle has always been to question, present very specific situations and tell a story so that viewers can find their own answers. For me, the opposite is counterproductive and spectators are not friends of the filmmaker. I work hard to achieve this result. I think that art should challenge and not give answers, I always look suspicious, or even dangerous.

Fabien Lemercier (cineuropa.org)

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Master .......................... .................................................. . FRIEDEL CHRISTIAN
The narrator ............................................. .......................................... ERNST JACOBI
Eva .............................................. ............................................... LEONIE BENESCH

Baron ............................................ .............................................. Ulrich Tukur
Baroness Marie Louise ........................................... .................... Sigmund
Ursinus .............................................. LARDIES .............................................. Fion Mutert
The Guardian ............................................. .......................................... MICHAEL KRANZ

Pastor ......................................... ............................... Burghart Klaussner
His wife Anna ............................................ ............................... STEFFI KÜHNERT
Klara........................................................................ MARIA-VICTORIA DRAGUS
Martin................................................................................... LEONARD PROXAUF
Adolf........................................................................................... LEVIN HENNING
Margarete.................................................................................... JOHANNA BUSSE
Annchen........................................................................................ YUMA AMECKE
Gustav........................................................................................ THIBAULT SÉRIÉ

El encargado......................................................................... JOSEF Bierbichler
His wife Emma ............................................ ..... MARIA GABRIELA SCHMEIDE
Erna ............................................. .................................................. .. Georg
FAUTZ JANINA .............................................. .................................................. ... Ferdinand
Trebsen Enno .............................................. ............................................... THEO Trebsen

The doctor ............................................ ............................................. RAINER BOCK
The midwife ............................................. ............................. SUSANNE LOTHAR
Anna .............................................. .............................................. DURAN ROXANE
Rudolf .............................................. ..................................... Karli
CHATELAIN MILJØ .............................................. .................................................. ... EDDY GRAHL

The farmer ............................................ .......................... Frieda
SAMAROVSKI Branko .............................................. ................................... Birgit Minichmayr
Max .............................................. ............................................. Karl
HULK SEBASTIAN .............................................. .................................................. ...... KAI MALINA
Else .............................................. .......................................... KRISTINA KNEPPEK
Sophie................................................................................ STEPHANIE AMARELL
Paula................................................................................................... BIANCA MEY
Kurti............................................................................................. AARON DENKEL
Willi................................................................................................. MIKA AHRENS

El padre de Eva................................................................................ DETLEV BUCK
La madre de Eva...................................................... ANNE-KATHRIN GUMMICH

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Un pueblo Protestant northern Germany. 1913-1914.

1913-1914 - Strange events that gradually take punishment ritual character, come together in a small Protestant town in northern Germany.

Who is behind all this? Children and adolescents in the school choir and the church led by the teacher, their families, Baron, manager, doctor, midwife, and farmers make up a story that reflects on the origins of Nazism on the eve of the I World War. .